Official Master Musicians of Joujouka Festival Blog, 2-4 June 2023 joujouka@gmail.com
Showing posts with label Naked Lunch 50th. Show all posts
Showing posts with label Naked Lunch 50th. Show all posts
Thursday, July 23, 2009
Naked Lunch at 50 press coverage
Press coverage of the Naked Lunch 50th in Paris can be found on Naked Lunch.org
Thursday, July 9, 2009
Naked Lunch 50th Anniversary in Paris and William Burroughs The Last Words of Hassan Sabbah
William Burroughs at his writing machine, New York, fall 1953. One of numerous, rarely seen photographs taken by Allen Ginsberg that feature in a special Gallery section of Naked Lunch@50, here Ginsberg’s Kodak Retina records a crucial moment for Burroughs, as he worked on the manuscripts of “Queer” and “Yage” before heading off towards Tangier and the writing of Naked Lunch… (Courtesy of the Allen Ginsberg Trust and Stanford University Library.) from reality studios
Last week in Paris the celebration of the 50th anniversary of the publication of Naked Lunch was celebrated by the publication of a book edited by Oliver Harris and Ian McFadyen Naked Lunch@50 anniversary essays published by Southern Illinois Press.
Among those attending were many friend of Burroughs and his cut up collaborators Brion Gysin, Antony Balch, Harold Norse and Antony Balch. For further celebrations see www.nakedlunch.org
hear Willaim Burrough reading the Last Words of Hassan Sabbah. Hassan Sabbah was the founder of the Ismaeli sect of Islam and the "Old Man of the Mountain" in the fiction and writing of William Burroughs and Brion Gysin click link below
http://www.interpc.fr/mapage/westernlands/Derniersmots.html
Click here to listen to it or download it in Real Player : Last Words of Hassan Sabbah
Images from the Naked Lunch 50th in Paris. Below
L-R Eric Anderson, Terry Wilson, Trolley Bus/Bryan Mulvihill,
Philippe Baumont, Lucy Baumont, Barry Miles, and Udo Breger. 2 July 2009
Oliver Harris and Miles before the plaque unveiling at the
Beat Hotel/ Viuex Paris, 9 rue Git le Couer , Paris 75006. 1 July 2009
Beat Hotel/ Viuex Paris, 9 rue Git le Couer , Paris 75006. 1 July 2009
All photos by and copyright Frank Rynne
William Burroughs from Nova Express
LISTEN TO MY LAST WORDS anywhere. Listen to my last words any world. Listen all you boards syndicates and governments of the earth. And you powers behind what filth consummated in what lavatory to take what is not yours. To sell the ground from unborn feet forever - "Don't let them see us. Don't tell them what we are doing -" Are these the words of the all-powerful boards and syndicates of the earth? "For God's sake don't let that Coca-Cola thing out - " "Not The Cancer Deal with The Venusians - " "Not The Green Deal - Don't show them that - " "Not The Orgasm Death - " "Not the ovens - " Listen: I call you all. Show your cards all players. Pay it all pay it all pay it all back. Play it all pay it all play it all back. For all to see. In Times Square. In Picadilly. "Premature. Premature. Give us a little more time." Time for what? More lies? Premature? Premature for who? I say to all these words are not premature. These words may be too late. Minutes to go. Minutes to foe goal - "Top Secret - Classified - For The Board - The Elite - The Initiates - Are these the words of the all-powerful boards and syndicates of the earth? These are the words of liars cowards collaborators traitors. Liars who want time for more lies, Cowards who can not face your "dogs" your "gooks" your "errand boys" your "human animals" with the truth, Collaborators with Insect People with Vegetable People. With any people anywhere who offer you a body forever. To shit forever. For this you have sold out your sons. Sold the ground from unborn feet forever. Traitors to all souls everywhere. You want the name of Hassan i Sabbah on your filth deeds to sell out the unborn? What scared you all into time? Into body? Into shit? I will tell you; "the word." Alien Word "the." "The" word of Alien Enemy imprisons "thee" in Time, In Body. In Shit. Prisoner, come out. The great skies are open, I Hassan i Sabbah rub out the word forever. If you I cancel all your words forever. And the words of Hassan i Sabbah as also cancel. Cross all your skies see the silent writing of Brion Gysin Hassan i Sabbah: drew September 17, 1899 over New York. PRISONERS, COME OUT "Don't listen to Hassan i Sabbah," they will tell you. "He wants to take your body and all pleasures of the body away from you. Listen to us. We are serving The Garden of Delights Immortality Cosmic Consciousness The Best Ever In Drug Kicks. And love love love in slop buckets. How does that sound to you boys? Better than Hassan i Sabbah and his cold windy bodiless rock? Right?" At the immediate risk of finding myself the most unpopular character of all fiction - and history is fiction I must say this: "Bring together state of news - Inquire onward from state to doer -" Who monopolized Immortality? Who monopolized Cosmic Consciousness? Who monopolized Love Sex and Dream? Who monopolized Life Time and Fortune? Who took from you what is yours? Now they will give it all back? Did they ever give anything away for nothing? Did they ever give any more than they had to give? Did they not always take back what they gave when possible and it always was? Listen: Their Garden Of Delights is a terminal sewer - I have been at some pains to map this area of terminal sewage in the so called pornographic sections of Naked Lunch and Soft Machine - Their Immortality Cosmic Consciousness and Love is second-run grade-B shit - Their drugs are poison designed to beam in Orgasm Death and Nova Ovens - Stay out of the Garden Of Delights - It is a man-eating trap that ends in green goo - Throw back their ersatz Immortality - It will fall apart before you can get out of The Big Store - Flush their drug kicks down the drain They are poisoning and monopolizing the hallucinogen drugs - learn to make it without any chemical corn - All that they offer is a screen to cover retreat from the colony they have so disgracefully mismanaged. To cover travel arrangements so they will never have to pay the constituents they have betrayed and sold out. Once these arrangements are complete they will blow the place up behind them. And what does my program of total austerity and total resistance offer you I offer you nothing. I am not a politician. These are conditions of total emergency. And these are my instructions for total emergency if carried out now could avert the total disaster now on tracks: Peoples of the earth, you have all been poisoned. Convert all available stocks of morphine to apomorphine. Chemists, work round the clock on variation and synthesis of the apomorphine formulae. Apomorphine is the only agent that can disintoxicate you and cut the enemy beam off your line. Apomorphine and silence. I order total resistance directed against this conspiracy to pay off. peoples of the earth in ersatz bullshit. I order total resistance directed against The Nova Conspiracy and all those engaged in it. The purpose of my writing is to expose and arrest Nova Criminals: In Naked Lunch, Soft Machine and Nova Express I show who they are and what they are doing and what they will do if they are not arrested. Minutes to go. Souls rotten from their orgasm drugs, flesh shuddering from their nova ovens, prisoners of the earth to come out, With your help we can occupy The Reality Studio and retake their universe of Fear Death and Monopoly (Signed) INSPECTOR J. LEE, NOVA POLICe
Photos of the plaque unveiling at William S. Burroughs' Naked Lunch 50th Anniversay
1 July in Paris see
http://brianjonesjoujoukafestival.blogspot.com/2009/07/burroughs-naked-lunch-50th-in-paris.html
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Wednesday, July 1, 2009
Burrough's Naked Lunch 50th Anniversary in Paris First photos of Plaque unveiling at Beat Hotel 1 July 2009 .
photo Lars Movin
Lars Movin co director William Burroughs On the Road centre,
Eddie Wood's back and Philip Woods with shades photo Frank Rynne
Eddie Wood's back and Philip Woods with shades photo Frank Rynne
Terry Wilson interviewed by Prof. Oliver Harris on Gysin and Burroughs
at the 50th Anniversary of the publication of Naked Lunch Symposium, 1 July, 2009.
at the 50th Anniversary of the publication of Naked Lunch Symposium, 1 July, 2009.
Photos of Plaque unveiling at Beat Hotel Jean-Jacques Lebel and the proprietress of the Vieux Paris . all photos by Frank Rynne except as stated.
Today marked the opening of the Paris leg of the 50th Anniversary of Naked Lunch in Paris. Events can be found HERE
Many friends of Brion Gysin, William Burroughs, Allen Ginsberg and the oeuvre de Burroughs met today at the Beat Hotel for the unveiling of a plaque commemorating the Beat Hotel. It was in the Beat Hotel that Brion Gysin, infused with eight years of Moroccan life, began to influence William Burroughs to adopt the Cut-Up Method of writing.
Gysin and Ian Somerville, to a backdrop of Gysin's own recordings of the Master Musicians of Joujouka, developed the Dreamachine at the Beat Hotel. Burroughs experimented with all kinds of Cut-Ups including tape cut ups with Ian Sommerville and Brion Gysin which, were the precursor of modern day sampling. Antony Balch took the Cut-Up to kineculture with his movies with Burroughs like Towers Open Fire and The Cut Ups.
Burroughs devised magical spells and the results of his experiments are well documented in Terry Wilson's Here to Go Planet R101 Revisited book with Brion Gysin.
Terry was guest speaker today at the symposium. He spoke of the dark world and the tragic individuals who were drawn like moths to the flame of the Burroughs/Gysin nexus. Wilson is the last true practitioner of the the black arts of fiction writing that Burroughs and Gysin delved into. His novels are a testimony to an enduring spirit of documentation and exorcism that is also evident in the novels of William Burroughs.


Many friends of Brion Gysin, William Burroughs, Allen Ginsberg and the oeuvre de Burroughs met today at the Beat Hotel for the unveiling of a plaque commemorating the Beat Hotel. It was in the Beat Hotel that Brion Gysin, infused with eight years of Moroccan life, began to influence William Burroughs to adopt the Cut-Up Method of writing.
Gysin and Ian Somerville, to a backdrop of Gysin's own recordings of the Master Musicians of Joujouka, developed the Dreamachine at the Beat Hotel. Burroughs experimented with all kinds of Cut-Ups including tape cut ups with Ian Sommerville and Brion Gysin which, were the precursor of modern day sampling. Antony Balch took the Cut-Up to kineculture with his movies with Burroughs like Towers Open Fire and The Cut Ups.
Burroughs devised magical spells and the results of his experiments are well documented in Terry Wilson's Here to Go Planet R101 Revisited book with Brion Gysin.
Terry was guest speaker today at the symposium. He spoke of the dark world and the tragic individuals who were drawn like moths to the flame of the Burroughs/Gysin nexus. Wilson is the last true practitioner of the the black arts of fiction writing that Burroughs and Gysin delved into. His novels are a testimony to an enduring spirit of documentation and exorcism that is also evident in the novels of William Burroughs.
excerpt from Towers Open Fire by dir. Antony Balch
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